Filed under: Vocalist Corner Five ways to improve and protect your voice

by on May 15th, 2010

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iStock_000008737414Small (1) 1. Exer­cise your cords daily

As a vocal instruc­tor, it’s a com­mon mis­con­cep­tion that tak­ing voice lessons will auto­mat­i­cally improve vocal abil­ity. One may hear Simon on Amer­i­can Idol or per­haps a teacher at school rec­om­mend­ing vocal lessons. There is def­i­nitely valid­ity in this, how­ever you have to put forth the effort! Merely singing along to your favorite songs won’t do it.

I get the ques­tion all the time. “How can I improve my voice?”  My answer is always this: EXERCISE! If you want to become a stronger vocal­ist, increase your range and have more con­trol, you have to exer­cise your voice daily. Your vocal cords are a mus­cle. Like any other mus­cle in your body, you will not gain strength and sta­mina if you do not work them out.

The vocal cords are a unique instru­ment.  Unlike a gui­tar or piano where you merely have to strum or strike a key to get sound, YOU have to cre­ate that sound your­self by work­ing and manip­u­lat­ing your vocal folds. If you don’t exer­cise your vocal cords prop­erly, then you will ulti­mately have trou­ble cre­at­ing that sound. I rec­om­mend work­ing out your voice at least 20 min­utes daily (at min­i­mum). Just work it into you sched­ule and it will start to become habit.  As time goes by, you may want to increase your time; maybe 40 min­utes to an hour.

2. Keep your cords lubricated

Your vocal cords live for water. They need to be wet to func­tion prop­erly. Lack of lubri­ca­tion will lead to irri­ta­tion. You need to get in the habit of drink­ing water not just at your gigs, but through­out the entire day.

I was read­ing some­where that 75% of Amer­i­cans are dehy­drated. It can have a mul­ti­tude of effects on the body, includ­ing fatigue, lack of con­cen­tra­tion, and over­all lower cir­cu­la­tion of blood. Believe it or not, if you are hav­ing prob­lems with your vocals, some of it (or much of it) could be attrib­uted to dehydration.

So how do know if you are dehy­drated?  An obvi­ous is if you are con­tin­u­ally thirsty through­out the day and/or you mouth is dry. Another indi­ca­tor is your pee. Some­one who stays hydrated has clear urine. Con­versely – yel­low urine indi­cates that you need more water!

Remem­ber, alco­hol and caf­feine are diuret­ics. They aid dehy­dra­tion.  If you find your­self drink­ing those two bev­er­ages the most, you prob­a­bly have a dehy­dra­tion problem.

3. Stop straining

Vocal strain comes from overex­tend­ing the vocal cords by forc­ing your chest voice to go higher than it should.  This places tremen­dous stress on your vocal folds and can cre­ate prob­lems such as vocal nodules.

Breath­ing and vocal strain go hand in hand. If you have too much or too lit­tle air pres­sure, you cre­ate strain.  Improper breath­ing tech­nique causes the mus­cles out­side of the lar­ynx to tighten.

If you want to expand your range, your cords need to shorten as you go up.  This is where your vocal cords zip up, or what is tech­ni­cally called voice adduc­tion.  The prob­lem with untrained singers, is that when they rely on those out­side mus­cles of the lar­ynx; the ten­sion becomes so extreme that the vocal cords break apart.  At this point, the falsetto voice takes over.  How­ever, where dam­age occurs, is when vocal­ists push the lar­ynx up and ignore the bridge or break.  Now, they are shout­ing rather than singing.

So the ques­tion is, how do all those vocal­ists who sound like they are just shred­ding their voice, sur­vive? The answer is by singing cor­rectly.  You actu­ally can manip­u­late voice to get that gravel and also, have a “scream­ing” vocal IF you uti­lize proper tech­nique. It’s all in the way you sing.

4. Don’t down­play sleep

Musi­cians are noto­ri­ous for their noc­tur­nal lifestyle.  Even so, you have to get the right amount of sleep. This is the only way your voice can become prop­erly replen­ished.  Not get­ting enough sleep will make your vocal chords sus­cep­ti­ble to dam­age, because they are weak.  If you find that your voice is fried from a few shows – choose sleep over partying.

5. Stay away from “bad singing” foods/drinks

There are a few foods to watch out for, espe­cially before per­form­ing. Not say­ing to stop eat­ing them all together, but it’s good to stay away from these before performances:

–Spicy Food. Irri­tates voice and can cre­ate the need to clear the throat. Clear­ing the throat is NOT good and will put immense stress on your vocal cords.

–Dairy Prod­ucts. Cre­ates a layer of flem or mucous on the cords. Again, cre­ates a need to clear the throat, and also inhibits vocal control.

–Cold Drinks. If you are per­form­ing, it’s best to drink room tem­per­a­ture water. Cold water tight­ens your cords.

–Alco­hol. Restricts vocal con­trol. Also causes dehydration.

–Caf­feine. Causes dehydration.

BONUS: Don’t use sore throat spray

I often see singers using OTC sore throat sprays. This is not good, as most of these have a numb­ing agents like Phe­nol or Ben­zo­caine that give the illu­sion that you can sing with ease when in fact, you are prob­a­bly strain­ing your vocal chords. It’s the equiv­a­lent of a foot­ball player inject­ing Toradol to kill the pain and then go back out on the field. It can cause major damage.

If you want some­thing that can really help, as a vocal­ist, I use and rec­om­mend Vocal-Eze. Exten­sive tour­ing and per­form­ing can take a toll on your voice no mat­ter how much you take care of it.  This stuff has lit­er­ally helped me out on many nights! It is used widely by many major record­ing artists includ­ing Tim McGraw, Rob Thomas, Joss Stone and many more.

      
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  • Reply » Love Poems · November 4, 2010

    voice lessons that also teaches proper breath­ing is the best, breath­ing and singing always go hand in hand ~

    • Hugh Hession November 4, 2010

      Yep…you’re exactly right. Thanks for the comment.

  • Reply » Isaac Smith February 1, 2011

    Hi Hugh. Can you send me an email. I have been singing since april last year and I went for an audi­tion in decem­ber and I do musi­cal the­atre. They said my voice has improved since they last saw me. But, since sep­tem­ber I have had chest infec­tions (I’m asth­matic) and have had no chance to prop­erly prac­tice due to being on antibi­otics. Could this be the rea­son that my voice feels dif­fer­ent, weaker, has less soul and it sounds awful when I sing! Also I’ve lost my voice sev­eral times includ­ing this jan­u­ary, sep­tem­ber and late decem­ber. Can you help me? I wanted to go for the x fac­tor but I will not humil­i­ate myself if my voice isn’t up to scratch. How long should I start reprac­tic­ing for??? I need help with that. I like soul­ful singers ie Alexan­dra Burke, Leona lewis etc. I have a voice tutor. I think I can’t sing but she says I really can, I just don’t know how. Can she be right. I sound awful on the les­son record­ings but she goes yes…good…that’s it…keep going etc. But I think its sounds awful.

    • Hugh Hession February 2, 2011

      Hello Isaac. Get­ting sick in gen­eral, will weaken your voice, espe­cially chest infec­tions. Asthma can also make things rough. I would have to know a lit­tle more about your sit­u­a­tion. I’ll catch up with you via email. Thanks for reading.

  • Reply » Amanda Parkerson April 23, 2011

    Hi Hugh!

    I want to improve my voice and learn proper breath­ing tech­niques– should I try voice les­son? Will lessons teach me notes as well?? How do I know the lessons are effective?

    • Hugh Hession April 23, 2011

      Hi Amanda. Thanks for vis­it­ing! Get­ting voice lessons can greatly improve your voice…breathing, notes, tone, you name it. You just have to be selec­tive in who you choose. As with any­thing, not all instruc­tors are equal. Unfor­tu­nately, some just merely sing songs at lessons and teach pitch. That is merely a seg­ment of vocal instruction.

      You will be able to tell if the lessons are effec­tive by your vocal qual­ity, par­tic­u­larly in pitch, strength and tone. There are def­i­nitely other vari­ables as well, depend­ing upon your objectives.

      Just remem­ber, even the best instruc­tors can’t do magic. There needs to be some tal­ent there to begin with, and the stu­dent must be moti­vated to prac­tice and fol­low through with what is being taught. If not, lessons will be useless.

      Check out my post on breath­ing when you get a chance. Should give you a bet­ter under­stand­ing of that process.

  • Reply » Hannah June 14, 2011

    Hugh! I’ve been singing my entire life (I’m still in high school) and lately what I’ve noticed is that I’ve devel­oped a lot of bad singing habits. It seems as though when I sing, it either is effort­less and sounds awe­some or it causes immense strain­ing and I have no idea how to fix it. I’ve prac­ticed breath­ing and the likes but I’m still not sure how to fix it. Could you offer any advice?

    • Hugh Hession June 14, 2011

      Hi Han­nah. Thanks for stop­ping by! Wow. There are so many vari­ables that play into this. It’s tough to really trou­bleshoot these issues you are hav­ing, with­out really hear­ing and see­ing you sing. Strain­ing can hap­pen for var­i­ous rea­sons. For instance, when your voice is tired, its strength dimin­ishes, caus­ing you to sing harder, and ulti­mately, will wear you out more! Another issue is not warm­ing up your voice prop­erly and using your belt voice right out of the gate. This can cre­ate hoarse­ness and fatigue. Strain­ing can be caused by singing at the top end of your chest voice reg­is­ter. This is typ­i­cal in rock and pop, but it’s best to learn how to tran­si­tion prop­erly into you head voice when needed, and/or learn how to effec­tively use your mixed voice. Though you sing higher, with the head reg­is­ter, it’s actu­ally eas­ier! This is because your cords adduct and zip up. You don’t need as much air.

      Also, don’t know how you are prac­tic­ing breath­ing. Are you sure you are singing from your diaphragm and lower abdom­i­nal region rather than using shal­low breaths from your upper part of your body? Watch your­self sing in a mir­ror. Are you shoul­ders ris­ing when you take breaths? This is an indi­ca­tion that you are breath­ing improp­erly. Per­haps some­times you are truly singing from your diaphragm, and other times, when you run out of breath, you may resort to using your throat? This is com­mon. Are you sus­tain­ing your breath prop­erly over phrases? Are you relax­ing? Also, at the times you sing effortless…what reg­is­ter are you in? Mean­ing, are you in a higher falsetto or head voice range? Are you singing with a pianis­simo dynamic (very soft), or are you belt­ing? As you can see…many ques­tions as well as variables!

      Thanks for your ques­tion :)
      Hugh

  • Reply » Avery Henry June 15, 2011

    I used to per­form with an ensem­ble sev­eral years ago where I was under the instruc­tion of a vocal coach. But I’m start­ing to think that I’ve lost some of the finer tech­niques I learned then. I’m con­stantly play­ing gui­tar and singing (http://www.youtube.com/averyhenrymusic) do you guys think that I should invest the time to get vocal lessons? I think it might help fine tune, but I’m not entirely sure I need them.

    • Hugh Hession June 19, 2011

      Hi Avery. Thanks for your post, bro! I’m check­ing out your vids right now. I will get back to you through your YouTube account. We’ll talk soon.

      –Hugh

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